Like others in this industry, the benefits of a physically based rendering (PBR) workflow have also become essential to my work, as it helps me bring more photorealism into my materials and scenes.
IntroductionĪs a 3D artist working with realistic budgets, it is imperative that I have tools that help me push the quality of my work without taking up too much of my time. With that being said, my name is Kyle Jones, and I am the founder of Pixel Wave, a Southern California based architectural visualization firm and today, I want to talk about achieving photo-realistic materials in seconds with Substance Source and Substance Painter. I am so thankful for the prior artists that have shared their workflows and am excited that I am now able to pass my knowledge onto those artists coming up in the industry.
It has been an excellent source of information and inspiration as I have continued to grow a 3D artist. I wanted to start off by thanking Ronen Bekerman for his blog and the opportunity to be a part of it! What could be the problem? On the model itself, all normals are turned out correctly.Kyle Jones, of Pixel Wave, takes us through his process with Substance Designer and Substance Painter and shows us how to leverage these amazing tools in ArchViz with achieving photo-realistic materials as the focus. When I select the "material" display method on the texture, the elements are rotated in different directions (in the viewport everything looks normal and on the normals too). I decided to redo the normals and faced the fact that on one part it is turned out, and on the other everything is fine (I put the texture in one layer without changing anything).
They suggested that the reason may be in the normal mar format. I made a full texture, I was already thinking about starting to render in Blender, but there was a problem with normals.
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